Opus 33 
  1800/1802 
  20'06"  | 
    7 
      Bagatelles for Piano | 
     
      Sequenced by  
      Bunji Hisamori | 
  
  
    Kessler 28 
  --- 
  Sketch 
  0'54"      | 
    Kessler 28: Sketch for the bagatelle Opus 33 number 6  
             | 
    Sequenced by 
      Fiorella e Armando Orlandi | 
  
  
    Kessler 28 
      --- 
      Completed 
      1'21"       | 
    Kessler 28: Completed work of the  bagatelle Opus 33 number 6  
         | 
    Sequenced by 
      Fiorella e Armando Orlandi | 
  
   
     Opus 39 
  1789 
  10'18"  | 
    Two 
      Preludes for Piano or Organ | 
     
      Sequenced by 
      Bunji Hisamori | 
  
   
     Opus 45 
  1802/1803 
  10'24"  | 
    1st, 
      2nd, 3rd Marches for Piano 4 hands | 
     
      Sequenced by  
      Bunji Hisamori | 
  
   
     Opus 51 
  1797 et 1800 
  17'44"  | 
    1st 
      and 2nd Rondos for Piano | 
     
      Sequenced by 
      Bunji Hisamori | 
  
   
     Opus 77 
  1809 
  8'25"  | 
    Fantasy 
      for Piano | 
     
      Sequenced by  
      Bunji Hisamori | 
  
   
     Opus 89 
  1814 
  5'31"  | 
    Polonaise 
      for Piano | 
     
      Sequenced by 
      Eric Halstead | 
  
  
    Copper 235  
      Opus 111 
      0'57"  | 
    Sketch for the arietta Opus 111, published for the fist time by Martin Cooper,
      "Beethoven, the last dacade", 1817 - 1827 Oxford University Press, 1970, page 235. 
         | 
    Sequenced by 
      Fiorella e Armando Orlandi | 
  
   
     Opus 119 
  1820/1822 
  13'52"  | 
    12 
      Bagatelles for Piano | 
     
      Sequenced by  
      Bunji Hisamori | 
  
   
     Opus 126 
  1823/1824 
  15'09"  | 
    Six 
      Bagatelles for piano | 
     
      Sequenced by  
      Bunji Hisamori | 
  
  
    Opus 129 
1795 
6'35"  | 
    Rondo A Capriccio for Piano in G major: "Die 
      Wut über den verloren Groschen" (Rage over 
      a Lost Penny) 
      
    Completed by an unknown editor 
    (probably Diabelli).  | 
    Sequenced 
    by Fiorella e Armando Orlandi | 
  
  
    Opus 129 
      1795 
      6'27"  | 
    Rondo 
      for Piano | 
     Sequenced by  
      Bunji Hisamori | 
  
   
     Opus 134 
  1826 
  15'51"  | 
    Grande 
      Fugue for Piano 4 hands  
      (transcription of opus 133) | 
     
      Sequenced by  
      Manfred Schwenkglenks | 
  
  
    WoO 16 
      1807 
      7'07" | 
    12 Ecossaises for Piano  | 
    Sequenced by 
      Pierre-Jean Chenevez | 
  
  
    | WoO 47 | 
    3 sonatas for piano " Kurfursten 
      ":      | 
      | 
  
  
    WoO 47-1 
      1783 ? 
      12'54" | 
    3 sonatas for piano " Kurfursten 
      ": The 
          First Sonata 
             | 
     Sequenced by 
      Fiorella e Armando Orlandi | 
  
   
     WoO 47-2 
  1783 ? 
  15'22 | 
    3 sonatas for piano " Kurfursten 
      ": The 
      Second Sonata 
             | 
     
      Sequenced by 
      Fiorella e Armando Orlandi | 
  
  
    WoO 47-3 
    17'16" | 
     3 sonatas for piano " Kurfursten ": The Third Sonata 
         | 
    Sequenced by  
      Fiorella e Armando Orlandi | 
  
   
     WoO 48 
  1783 
  2'23"  | 
    Rondo 
      in C major, for piano
     
       | 
     
      Sequenced by  
      Fiorella e Armando Orlandi | 
  
   
     WoO 49  
  1783 ? 
  2'16"  | 
    Rondo 
      in A major, for piano
     
       | 
     
      Sequenced by  
      Fiorella e Armando Orlandi | 
  
  
    WoO 50 
      1788 -1790 
    2'17" | 
          2 movements of a sonatina, in F major, for piano  
             | 
    Sequenced by  
      Fiorella e Armando Orlandi | 
  
   
     WoO 51 
  1797-1798 ? 
  7'31"  | 
    2 
      movements of an easy sonata, in C major, for piano 
       | 
     
      Sequenced by  
      Fiorella e Armando Orlandi | 
  
   
     WoO 52 
  1795 ? 
  5'54"  | 
    Bagatelle 
      in C minor, for piano 
             | 
     
      Sequenced by  
      Fiorella e Armando Orlandi | 
  
   
     WoO 53 
  1796-1797 
  3'46" | 
    Allegretto, 
      in C minor, for piano  
      (probably pintended 
      for the sonata, Op. 10/1)  
             | 
     
      Sequenced by  
      Fiorella e Armando Orlandi | 
  
   
     WoO 54 
  1802 ? 
  1'08"  | 
    2 
      movements for piano "Lustig-Traurig" 
             | 
     
      Sequenced by  
      Fiorella e Armando Orlandi | 
  
  
    WoO 55 
      Before 1805 
      2'17"  
      --- 
      2'36" | 
    Prelude, 
      in F minor, for piano  
            
      Prelude, 
      in F minor, for organ  
       | 
    Sequenced by  
      Fiorella e Armando Orlandi | 
  
   
     WoO 55 
  Before 1805 
  4'08"  | 
    Prelude, 
      in F minor, for piano  | 
     
      Sequenced by  
      Bunji Hisamori | 
  
   
     WoO 56 
  1803 
  2'00"  | 
    Bagatelle 
      in C major, pour piano 
             | 
     
      Sequenced by  
      Fiorella e Armando Orlandi | 
  
   
     WoO 57 
  1803 
  8'27"  | 
    Andante, 
      in F major, for piano "Favori" (originally 
      intended as the slow movement of the sonata, Op. 
      53)  | 
     
      Sequenced by  
      Eric Halstead | 
  
   
     WoO 58 
  1809 ? 
  3'24"  | 
    2 
      cadences for piano for the Concerto for piano, 
      in D minor, by Wolfgang Amadeus Mozart, K. 466 
             | 
     
      Sequenced by  
      Fiorella e Armando Orlandi | 
  
   
     WoO 59 
  1810 
  2'25"  | 
    Bagatelle, 
      in A minor, for piano "Für Elise" | 
     
      Sequenced by  
      Bunji Hisamori | 
  
   
     WoO 60 
  1818 
  0'56"  | 
    Movement 
      in B flat major, for piano 
             | 
     
      Sequenced by  
      Fiorella e Armando Orlandi | 
  
   
     WoO 61 
  1821 
  1'47"  | 
    Movement 
      in B minor, for piano 
             | 
     
      Sequenced by  
      Fiorella e Armando Orlandi | 
  
   
     WoO 61a 
  1825 
  0'31"  | 
    Movement 
      in G minor, for piano 
             | 
     
      Sequenced by  
      Fiorella e Armando Orlandi | 
  
   
     WoO 81 
  1793 
  1'13"  | 
    Allemande, 
      in A major, for piano 
             | 
     
      Sequenced by  
      Fiorella e Armando Orlandi | 
  
   
     WoO 82 
  avant 1805 
  4'14"  | 
     
       Menuet 
        in E flat major, for 
        piano 
             | 
     
      Sequenced by  
      Fiorella e Armando Orlandi | 
  
   
     WoO 83 
  1806 
  4'06"  | 
    6 
      scottish dances in E flat major, for piano 
             | 
     
      Sequenced by  
      Fiorella e Armando Orlandi | 
  
   
     WoO 84 
  1824 
  2'05"  | 
    Waltz 
      in E flat major, for piano 
             | 
     
      Sequenced by  
      Fiorella e Armando Orlandi | 
  
   
     WoO 85 
  1825 
  0'42"  | 
    Waltz 
      in D major, for piano 
             | 
     
      Sequenced by  
      Fiorella e Armando Orlandi | 
  
   
     WoO 86 
  1825 
  0'31"  | 
    Scottish 
      dance in E flat major, for piano 
             | 
     
      Sequenced by  
      Fiorella e Armando Orlandi | 
  
   
     WoO Anhang 5-1 
  3'33"  | 
    Sonatina, 
      in G major, for piano 
             | 
     
      Sequenced by  
      Fiorella e Armando Orlandi | 
  
   
     WoO Anhang 5-2 
  5'09"  | 
    Sonatina, 
      in F major, for piano 
             | 
     
      Sequenced by  
      Fiorella e Armando Orlandi | 
  
   
     WoO Anhang 6 
  5'37" | 
    Rondo 
      for Piano in B Flat Major 
      Hess Anhang 20 - Kinsky Halm Anhang 6.  
             | 
     
      Sequenced by  
      Fiorella e Armando Orlandi | 
  
   
     WoO Anhang 8-1 
  2'48"  | 
    Gavotte, 
      in F major, for piano 4 hands 
      (Andantino) | 
     
      Sequenced by  
      Fiorella e Armando Orlandi | 
  
  
    WoO Anhang 9  
    8'39"  | 
    Nine German Dance for Piano Four Hands (doubtful) 
        World premiere in midi file. 
                 | 
    Sequenced by  
      Fiorella e Armando Orlandi | 
  
  
    WoO Anhang 11 
  0'58"  | 
    Alexandermarsch in F major, for piano 
             | 
     Sequenced by  
      Fiorella e Armando Orlandi | 
  
  
     WoO Anhang 12 
  2'07"  | 
    Pariser Einzugsmarsch  
      
      March for Piano in C Major: "Pariser Einzugsmarsch".      | 
    Sequenced by  
      Fiorella e Armando Orlandi | 
  
  
     WoO Anhang 13 
  4'21"  | 
    Trauermarsch 
             | 
    Sequenced by  
      Fiorella e Armando Orlandi | 
  
   
     WoO Anhang 14-1 
  1'39''  | 
    Sehnsuchtswalzer, 
      waltz in A flat major, for piano 
       | 
     
      Sequenced by  
      Paul Blondel | 
  
   
     WoO Anhang 14-2 
  2'08"  | 
    Schmerzenswalzer, 
      waltz in F minor, for piano 
             | 
     
      Sequenced by  
      Paul Blondel | 
  
   
     WoO Anhang 14-3 
  2'21"  | 
    Hoffnungswalzer, 
      in E flat major, for piano 
       | 
     
      Sequenced by  
      Paul Blondel | 
  
   
     WoO Anhang 14-4 
  1'44"  | 
    Geisterwalzer, 
      in A major, for piano
     
       | 
     
      Sequenced by  
      Paul Blondel | 
  
   
     WoO Anhang 14-5 
  1'03"  | 
    Waltz, 
      in F major, for piano
     
       | 
     
      Sequenced by  
      Paul Blondel | 
  
   
     WoO Anhang 14-6 
  1'22"  | 
    Waltz, 
      in D flat major, for piano
     
       | 
     
      Sequenced by  
      Fiorella e Armando Orlandi | 
  
   
     WoO Anhang 15 
  2'13"  | 
    Waltz, 
      in F major, for piano, "Glaube, Liebe 
      und Hoffnung" (Moderato con molto espressione)
       | 
     
      Sequenced by  
      Fiorella e Armando Orlandi | 
  
  
     WoO Anhang 16-1 
  4'30"  | 
    Jubelwalzer for pianoforte 
        
      Waltz for Piano in C sharp major: "Jubelwalzer"; 
      authorship: probably doubtful.  | 
    Sequenced by  
      Fiorella e Armando Orlandi | 
  
  
    WoO Anhang 17 
      6'01"  | 
    Waltz for Piano in F Major for piano 
        
      Waltz for Piano in F Major: Introduction and 
      Waltz (Klavierstück); authorship: probably 
      doubtful.  | 
    Sequenced by  
      Fiorella e Armando Orlandi | 
  
   
     Hess 57 
  about 1824 
  0'46"  | 
    Sketch 
      for Piano in C major; authorship: unfinished 
             | 
     
      Sequenced by  
      Fiorella e Armando Orlandi | 
  
  
    Hess 58 
      1792-1793 
    0'44"  | 
    Two Exercises  
      for Piano; authorship: unfinished 
         | 
     Sequenced by  
      Fiorella e Armando Orlandi | 
  
   
     Hess 59 
  about 1800 
  0'32"  | 
    Exercise 
      for Piano in C major 
             | 
     
      Sequenced by  
      Fiorella e Armando Orlandi | 
  
   
     Hess 61 
  about 1800 
  0'43"  | 
    Anglaise 
      for Piano in D major 
       | 
     
      Sequenced by  
      Fiorella e Armando Orlandi | 
  
   
     Hess 63 
  0'28"  | 
    Movement 
      for keyboard on "Kaplied" by 
      Christian Friedrich Daniel Schubart 
             | 
     
      Sequenced by  
      Fiorella e Armando Orlandi | 
  
   
     Hess 64 
  1794  
  piano: 
  1'49" 
  organ: 
  2'21" | 
    
       3-part 
        Fugue for Piano in C major 
      
      3-part 
        Fugue for Organ in C major 
             | 
     
      Sequenced by  
      Fiorella e Armando Orlandi | 
  
   
     Hess 68 
  1803 
  0'54"  | 
    Little 
      Waltz (Allemande), in C minor, for piano 
      [unedited, 16 bars] 
             | 
     
      Sequenced by  
      Fiorella e Armando Orlandi | 
  
   
     Hess 72 
  1803 
  2'55"  | 
    Variations 
      for Piano in A major: theme with one variation 
             | 
     
      Sequenced by  
      Fiorella e Armando Orlandi | 
  
   
     Hess 73 
  1800 
  0'27"  | 
    Bagatelle 
      for Piano in C major 
             | 
     
      Sequenced by  
      Fiorella e Armando Orlandi | 
  
   
     Hess 74 
  1800 
  0'42"  | 
    Bagatelle 
      for Piano in E flat major 
             | 
     
      Sequenced by  
      Fiorella e Armando Orlandi | 
  
   
     Hess 97 
  1816 
  13'53"  | 
    Wellington's 
      Victory, or the Battle of Vittoria for Piano and 
      Two Cannons (from opus 91). 
      Wellington's Victory, or the Battle of Vittoria 
      op. 91, for Piano and Cannons, Hess 97 (1816). 
      This is certainly the strangest of Beethoven's 
      arrangements for piano, since it also calls for 
      two cannon to be fired throughout the first (Battle) 
      portion of the piece. In this midi, the English 
      forces are on the right channel; the French are 
      on the left. As the battle progresses, the English 
      march toward and take the center, forcing the 
      French further left and eventually completely 
      off the soundstage. The piece was wildly popular 
      in its time as anti-Napoleonic feeling increased 
      in Europe. This "symphony" (as Beethoven 
      referred to it in letters) is easily the most 
      clearly descriptive piece Beethoven ever wrote. 
      The transcription ends, as does the orchestral 
      version, with a fugato treatment of "God 
      Save the King." Published 1816 by Steiner 
    in Vienna. | 
     
      Text and midi file by  
      Mark S. Zimmer | 
  
  
     Hess 98  
      1794-1799 
      1'02" | 
    Scherzo for piano 
      Scherzo for Piano from the Piano Trio Opus 1 #2, for piano solo, unfinished. 
             | 
    Sequenced by  
      Fiorella e Armando Orlandi | 
  
  
     Hess 99  
  1809 
  1'28"  | 
    March for Piano in F major: Military march "Yorck’cher Marsch" "für die böhmische landwehr".  
       | 
     Sequenced by  
      Fiorella e Armando Orlandi | 
  
   
     Hess Anhang 21 
  1'04"  | 
    Bagatelle 
      (Op. 119/12) 
      [piano version of the song "An Laura"] 
             | 
     
      Sequenced by  
      Fiorella e Armando Orlandi | 
  
   
     Hess Anhang 22 
  1'20"  | 
    Funeral 
      march , in C minor 
      [16 bars] 
             | 
     
      Sequenced by  
      Fiorella e Armando Orlandi |